Thursday, 14 April 2011

4 April UWS Mteach Music 1y Lecture and Tutorial


Lecture

Today we played James Humberstones’ mixed classroom ensemble arrangement of ‘Music for a Found Harmonium.’ We used xylophones and guitars mainly. His arrangement has four patterns and we played these in Rondo form.
Humberstone demonstrated how one activity can be integrated into a number of different syllabus topics and stages. For example, this piece fits into twentieth century music, music of a culture, music for large ensembles and music for small ensembles. Its basically in a minimalist style and has four parts: Melody; Drone; Bass and Drums. The various parts vary in difficulty, which makes it very useful as an inclusive piece. For instance the drone part is simple and could be appropriate for a student with high learning needs. The melody and Bass parts are more challenging, especially at faster tempos!

Tutorial

In the tutorial we learned how to edit the above mentioned piece we performed in the lecture. Humberstone had recorded it using a USB microphone (which does not require an interface when recording onto a laptop). He then magically sent it to all the computers in the labs for us to edit. We used GarageBand for this and experimented with fazing in and out, E.Q and effects. After this, we learned about a more advanced software program called Protools. One of the class members gave a good introduction to it, having a background in music technology.


April 5, 2011 at 11:11 pm
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Friday, 18 March 2011

On James Humberstones' UWSMteach Music1y lecture March 7 2011

Teaching the concepts of music through listening

Today we learned an engaging approach to teaching the concepts of music. The idea is to find different versions of a particular song, play an excerpt from each, ask specific questions on particular concepts and then compare and contrast the excerpts.

Too many concepts?

Following on from this James, talked about the music syllabus requirements in NSW.  The basic idea is that students learn the six concepts of music, through three learning experiences: listening; performing; and composition. He put forward that some prominent Australian commentators on music education i.e. the conductor Richard Gill OAM,  suggest it would be more effective to teach less concepts well... We await the national curriculum.

Teaching a unit of work.

We then learned an approach to teaching a unit of work: One topic, a few concepts, through the learning experiences listening, performing and composing in that order. Composition tasks can be used to assess students understanding. James mentioned that obviously a teacher shouldn't spend too much time on one learning experience. A week of listening (or even one whole lesson on listening) would likely be frustrating for students.

"Death by powerpoint"


James mentioned research indicating that combining word for word audio and visual text is less effective than having one or the other. He quoted research by Professor John Sweller from the UNSW.

I am glad he brought that up. Many people find Powerpoint presentations that are read from the slide, hard to listen to or read. This one is entitled "Pentagons craziest powerpoint slide revealed.'

image from blog by Noah Shachtman on wired.com

 The Lecture concluded with:

The Progression of technology in music teaching:

James' suggested progression is:

1. Looping, through GarageBand (Mac) or Acid (Windows)
2. Step sequencing for example the O-Generator or Anvil
3. Sequencing using Logic, Cubase, Sonar or Live
4. Notation: Sibelius or FOSS MuseScore

Sunday, 6 March 2011

On Sir Ken Robinsons speech: Do schools kill creativity?

I thoroughly enjoyed watching this you tube video His ideas tie in with Gardners' theory of multiple intelligences. 
The speech encouraged looking outside the square with a great example of a student learner who fortunately was correctly diagnosed as a dancer and kinaesthetic learner rather than suffering from ADhd!

I wonder how I can diversify the way to teach music in the classroom when the time comes. I can see cross curricula connections between subjects like English: the poetry in lieder, Religion: music used for worship, and Science: the physics of sound.